National Poetry Month 2019, Week Four: Sophia de Mello Breyner Andresen’s “25 de Abril”
April 25, 2019

(Photo by SEA)
Today, 25 April, marks the 45th Anniversary of Portugal’s “Carnation Revolution,” when a military coup toppled the fascist, authoritarian government, leading to a period of freedom and democracy after 48 years.
In addition to ridding the country of the “Estado Novo” regime, the revolution of 25 April 1974, led to the end of Portuguese colonization and its attendant wars in Africa. Decolonization began shortly after the Carnation Revolution and, by the end of 1975, the former colonies of Angola, Cape Verde, São Tomé, and Mozambique gained independence.
Dubbed the Carnation Revolution because the flowers were offered to military personnel by civilians on the streets of Lisbon as a symbol of the peaceful transition of power, an action initiative by activist Celeste Caeiro. The coup itself was apparently triggered by a Portuguese song featured in the 1974 “Eurovision” song contest—the same contest that launched the Swedish band ABBA, which won that year with “Waterloo.”
Portugal’s entry, a fairly innocuous love-ballad called “E depois do adeus” (“And after the farewell”) by Paulo de Carvalho, was used to signal the rebels, who launched the coup when it was broadcast by a Lisbon radio station at 22:50 on 24 April. A second song, “Grândola Vila Morena” by Zeca Afonso, announced when the coup leaders had seized control. A 2000 film by Maria de Medeiros, Capitães de Abril, dramatizes the story.
Sophia de Mello Breyner Andresen (1919-2004) is one of the most important Portuguese poets of the 20th century and, in 1999, became the first Portuguese woman to receive the Camões Prize, the most prestigious award in Portuguese literature.
In 2014, ten years after her death—and on the 40th anniversary of the Carnation Revolution—Andresen’s remains were transferred to the Panteão Nacional, in the Church of Santa Engrácia, only the second Portuguese woman to receive this honor. (The other was fado singer Amália Rodrigues.)
“Poetry is my understanding of the universe,” Andresen once said. “My way of relating to things, my participation in reality, my encounter with voices and images.”
Her poem, “25 de Abril,” is the most famous poem of the Carnation Revolution, simple and elegant in its observation of the morning when the country emerged from “the night and the silence” of almost fifty years of authoritarian rule.
Here is Sophia de Mello Breyner Andresen’s “25 de Abril” in the original Portuguese and in my English translation:
“25 de Abril”
Esta é a madrugada que eu esperava
O dia inicial inteiro e limpo
Onde emergimos da noite e do silêncio
E livres habitamos a substância do tempo
—-
“25th of April”
This is the dawn I expected—
the first day, whole and clean,
where we emerge from the night and the silence.
And free, we inhabit the substance of time
(Translation by Scott Edward Anderson)